None
A kind of Chinese Dr. Zhivago about a married army doctor who falls in love with a nurse during the Cultural Revolution, by Chinese exile Ha Jin (In the Pond, 1998, etc.). Starred-crossed lovers are the meat of tragedy the world over, and when political upheaval is thrown into the same pot, you—re almost guaranteed a pretty substantial stew. The focus of misery here is Lin Kong, a Chinese physician who serves as an officer in the Revolutionary Army. While a medical student in the early 1960s, Lin is pressured into an arranged marriage by his elderly parents, who choose Shuyu, an illiterate village girl who’s as plain as she is good-natured and who devotes herself wholeheartedly to providing every possible comfort for Lin and his parents. From the very start, Lin’s heart is never in the marriage, and after the birth of their only child, Lin and Shuyu sleep apart. The situation is helped somewhat by Lin’s army career, which keeps him posted at great distances from home and allows him only 12 days furlough a year. Eventually, though, the charade wears thin. Lin has fallen in love with Manna Wu, a nurse assigned to his hospital, and the two wish to marry. But for that a divorce is necessary, and divorce is the one request that Shuyu doesn—t want to grant her husband. Even if she did, the Court probably would not comply’since divorce is looked upon with deep suspicion by Party functionaries fearful of bourgeois self-indulgence. The only loophole available is a clause in the marriage code that permits divorce without spousal consent after 18 years of separation. So the years tick on, bringing Lin and Manna gradually closer to their happiness. But waiting has its price—and in the end it becomes clear that it’s been a high one. A deceptively simple tale, written with extraordinary precision and grace. Ha Jin has established himself as one of the great sturdy realists still writing in a postmodern age.
None NonePub Date: Oct. 4, 1999
ISBN: 0-375-40653-0
Page Count: 320
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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