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NANJING REQUIEM

A historical novel with a timeless theme—the inhumanly human brutality of war and the attempt to sustain a life of compassion and grace in response to it.

There’s a real person and a real atrocity at the heart of the latest fiction by the award-winning Ha Jin (A Free Life, 2007, etc.). The atrocity is the late 1930s occupation of China by Japan, a period during which, says the novel’s narrator, “[t]hey meant to destroy China’s potential for resistance and to terrify us into obedience.” Such terror took the form of rampant rape (in what has become notorious as “the rape of Nanking”) and indiscriminate murder. The novel’s real-life protagonist, whose diaries and correspondence served as source material, is Minnie Vautrin, an American missionary who turned the women’s college where she was dean into a refuge for some 10,000 Chinese women and children. Her story is told through the eyes and voice of Anling Gao, Vautrin’s assistant who serves as her “unofficial proxy” as a Chinese-speaking citizen. In the novel’s early stages, the narrative strategy seems limiting, for Anling is neither particularly eloquent nor psychologically astute. She tells what she sees, and she has a good eye for detail, but shows no deep insight into the qualities that elevate Vautrin into sainthood among so many of those she saved, or to Vautrin’s resistance to such lofty regard. “I hate to see them confuse humanity with divinity,” the narrator quotes the protagonist. “It’s not right to be called a goddess while I’m doing mission work.” Yet the novelist’s subtle mastery enriches the work, as Angling shifts from the role of witness to an integral position in the plot, and the complexities of relations among Americans, Chinese, Japanese (and eventually Germans, Russians and others) continue to multiply. Ultimately, Vautrin’s resistance to her deification proves well warranted, though the novel presents her as an indelible figure worthy of its celebration.

 

Pub Date: Oct. 1, 2011

ISBN: 978-0-307-37976-4

Page Count: 320

Publisher: Pantheon

Review Posted Online: Aug. 17, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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