Next book

AMU NOWRUZ AND HIS VIOLETS

Artistic and wistful, this is a sophisticated ode to the changing seasons.

In this translated retelling of a Persian folktale, the spirits of winter and spring briefly meet.

Naneh Sarma lives in the land of Winter. With “hair as white as snow” and a “gown woven of wintersweet flowers,” she “[spreads] winter everywhere” as she swings over the snowy clouds. Safakhoo relies on a minimal palette for these barren landscapes, with Naneh Sarma’s red socks and scarf standing out against the stark white backgrounds. But winter ends, and Naneh Sarma is alone. The pages explode in vibrant greens and reds as readers meet Amu Nowruz, who lives in the lush land of Spring. Amu Nowruz plants all day long, “while serenading the sun to shine bright.” Lonely Naneh Sarma hears him and wishes he would visit her. Waiting for him “at the edge of winter and spring,” she eventually falls asleep. When Amu Nowruz finds her, he puts violets into her hands and sneaks away. She wakes and shouts to him, only to hear him reply, “Tend to the violets…The New Year is coming!” These events happen each year, readers are told, “at the dusk of winter and the dawn of spring.” Detailing the origins of Nowruz, the Iranian New Year, this is a lovely, vividly illustrated tale. Though the elegant figurative language may be too lofty for younger children, older ones will appreciate it, especially if knowledgeable adults can offer context about Nowruz.

Artistic and wistful, this is a sophisticated ode to the changing seasons. (Picture book. 5-9)

Pub Date: Oct. 15, 2024

ISBN: 9781953861924

Page Count: 34

Publisher: Elsewhere Editions

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

Next book

LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Next book

CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

Close Quickview