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AMU NOWRUZ AND HIS VIOLETS

Artistic and wistful, this is a sophisticated ode to the changing seasons.

In this translated retelling of a Persian folktale, the spirits of winter and spring briefly meet.

Naneh Sarma lives in the land of Winter. With “hair as white as snow” and a “gown woven of wintersweet flowers,” she “[spreads] winter everywhere” as she swings over the snowy clouds. Safakhoo relies on a minimal palette for these barren landscapes, with Naneh Sarma’s red socks and scarf standing out against the stark white backgrounds. But winter ends, and Naneh Sarma is alone. The pages explode in vibrant greens and reds as readers meet Amu Nowruz, who lives in the lush land of Spring. Amu Nowruz plants all day long, “while serenading the sun to shine bright.” Lonely Naneh Sarma hears him and wishes he would visit her. Waiting for him “at the edge of winter and spring,” she eventually falls asleep. When Amu Nowruz finds her, he puts violets into her hands and sneaks away. She wakes and shouts to him, only to hear him reply, “Tend to the violets…The New Year is coming!” These events happen each year, readers are told, “at the dusk of winter and the dawn of spring.” Detailing the origins of Nowruz, the Iranian New Year, this is a lovely, vividly illustrated tale. Though the elegant figurative language may be too lofty for younger children, older ones will appreciate it, especially if knowledgeable adults can offer context about Nowruz.

Artistic and wistful, this is a sophisticated ode to the changing seasons. (Picture book. 5-9)

Pub Date: Oct. 15, 2024

ISBN: 9781953861924

Page Count: 34

Publisher: Elsewhere Editions

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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