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WAY PAST JEALOUS

From the Great Big Feelings series

An astute tale of emotions, empathy, and redemption.

When Yaz draws the best picture she’s ever drawn in her life, she’s excited—until she realizes that everyone in her class is paying attention to her friend Debby’s drawing and not hers.

Things get even worse when Yaz’s teacher, Miss Pimmy, hangs Debby’s picture of a dog on the Stars of the Week board but doesn’t notice Yaz’s drawing at all. Overcome by jealousy, Yaz starts acting unkindly toward both her friends and herself. When Debby saves her a seat at lunch, Yaz ignores her and sits elsewhere. When their friends talk about how much like Debby’s dogs those in their drawings look, Yaz spills her drink on their pictures. Worst of all, Yaz leaves lunch early so she can remove Debby’s picture from the Stars of the Week board, which breaks Debby’s heart. None of these actions makes Yaz feel better—if anything, they make her feel worse—but she isn’t sure how to fix the mess she’s made. Eventually, Yaz realizes that she doesn’t really care about being on the Stars of the Week board: What she cares about is Debby. But how will she fix the mistakes she made and get her friendship back? This frank portrait of childhood jealousy is both a compelling story and a perfect teaching tool. The protagonist’s journey is authentic and accessible, making it a great way to start a conversation about big feelings. While the text makes no mention of race, the brightly colored illustrations render the cast diverse: Yaz has brown skin and black hair, and Debby appears to be Black. Companion title Way Past Sad looks at the grief experienced by two best friends about to be separated by a move.

An astute tale of emotions, empathy, and redemption. (Picture book. 4-8)

Pub Date: April 1, 2021

ISBN: 978-0-8075-8678-5

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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