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MITCHELL GOES BOWLING

Four-year-old Mitchell loves to knock things down: blocks, cups, papers—even his dad is fair game. Knowing his son’s...

Boisterous Mitchell and his resourceful dad are back in a hilarious father-and-son tale that celebrates working together with wit and warmth (Mitchell’s License, 2011).

Four-year-old Mitchell loves to knock things down: blocks, cups, papers—even his dad is fair game. Knowing his son’s proclivities, Dad finds a creative solution: the bowling alley! Loud crashes, colorful balls and cool shoes make this tyke feel right at home. But after he learns about the gutter and sees his dad’s strikes, Mitchell’s competitive fire runs hot. He tries everything to win. He hollers, he heaves, and then...he wants to go home. That is, until his dad suggests they be on the same team. Mitchell realizes that together, they can’t lose. The artwork, perfectly paced with the text’s comedic beats, is full of energy, physical comedy and emotion. Fucile’s style is reminiscent of the post-war–boom advertising that idealized America’s promise; still, it’s also current, bringing that same sense of hope to a more modern America. Here, the family is mixed-race; the mother works (possibly from home); and the dad is a full and actively engaged partner in the parenting process, showing patience, understanding, creativity and love. Durand and Fucile are a winning combination, and their father/son bonding will leave readers in stitches. Loads of fun with a lot of heart. (Picture book. 3-7)

Durand and Fucile are a winning combination, and their father/son bonding will leave readers in stitches. Loads of fun with a lot of heart(Picture book. 3-7)

Pub Date: Sept. 10, 2013

ISBN: 978-0-7636-6049-9

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 30, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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