A darkly tragic novel featuring a profoundly flawed antihero.
In Bird’s crime thriller, a down-and-out North Carolina cop with a drinking problem inhabits a world of dark menace and self-destruction.
Mike Lunsmann seemingly had it all, just four years prior to the opening of this grim meditation on midlife angst and alcoholism. Back then, he was a hotshot police detective in Craven County, North Carolina,with a wife who loved him and a son who didn’t yet think his dad was a total jerk. That was all washed away after Mike’s descent to the bottom of a Tennessee whiskey bottle. Now he’s a beat cop, and things take a nasty turn when he has a particularly ugly encounter with his family; if he had any hope of repairing their relationship, it’s now effectively gone. Still guided by the “Little Man” in his head “pulling all the wrong levers,” Mike is shot during another alcohol-soaked foray into the night. Awakening in a hospital bed two days later, Mike learns that the gunshot to his arm could have easily killed him. Friendly physician Harold Lasky tells him point-blank that if he doesn’t quit boozing, he’ll die. Sadly for Mike, there are even more immediate threats to his life, because the rifle bullet that pierced his arm just happens to place him in the middle of heinous murder mystery involving four teenagers. The killer’s still out there, and Mike is no shape to track them down. Still, he’s got to try. Over the course of this novel, Bird’s troubled protagonist is beset by demons from within and without. The only question is: Which is worse? That central dilemma helps to propel Bird’s drama forward. Along the way, the author packs his prose with plenty of gumshoe grit: “Next morning Mike awoke with a jackhammer headache and the taste of vomit still fresh at the back of his throat. For a long time he lay still beneath the covers, struggling to arrange whatever happened the night before into some kind of orderly account.” However, it’s his preoccupation with the complexities of his protagonist’s psychological struggles that make this thriller stand out from the pack.
A darkly tragic novel featuring a profoundly flawed antihero.Pub Date: April 5, 2022
ISBN: 9798989198047
Page Count: 320
Publisher: Piper House
Review Posted Online: Aug. 27, 2024
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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