A perceptive examination of trauma and its manifestation on women’s bodies, minds, and voices.
An all-girls school in Kuala Lumpur is beset by a mass hysteria of screaming students.
The first screamer was the new girl. Soon, more terrified shrieks echo off the old stone walls of prestigious St. Bernadette’s, a school with a reputation for grooming Malaysia’s brightest young women. Sixteen-year-old Khadijah Rahmat doesn’t speak much and is dealing with trauma after a sexual assault. Rachel Lian, an academic super-achiever, is struggling to emerge from the shadow of her overbearing mother. When Khadijah’s sister becomes a screamer—and the screamers start disappearing—she feels compelled to act. Rachel, meanwhile, is haunted by the ghost of a screamer who disappeared years ago. Khadijah and Rachel uncover dark secrets the school would rather keep hidden. The atmospheric writing creates a sense of foreboding that effectively portrays the horror of the girls who are pulled into the unknown. The complex mother-daughter relationships show how the teens’ lack of agency affects them: From decisions over academics and extracurricular activities to being monitored when they should be supported and finding their concerns brushed off, there’s a sense of their being trapped by duty and societal expectations. Unfortunately, the girls’ voices feel interchangeable and older than their years, and experienced genre readers may easily anticipate the big reveal. Still, the story admirably takes on themes of trauma and sexual assault and encourages the girls to find their voice.
A perceptive examination of trauma and its manifestation on women’s bodies, minds, and voices. (content note) (Thriller. 13-18)Pub Date: Sept. 24, 2024
ISBN: 9781534494589
Page Count: 352
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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