A quirky but exceptional story of infinite love and life-sustaining commitment.
Polish writer Krall transmutes the real experience of a Holocaust survivor into an emotionally bleached yet devastating account of where love can take us.
In a shockingly matter-of-fact tone, Krall (The Woman from Hamburg and Other True Stories, 2005, etc.) recounts the horrors of Jewish suffering during World War II in brief chapters and a terse narrative voice: “Shayek leaves to fetch his sisters but comes back without them. They committed suicide, after poisoning little Szymus. Shayek tried to find out where they were buried, but the man who dug their grave is no longer alive either.” Without preamble, her short novel plunges the reader into the midst of life in the Warsaw ghetto, where bombs, lice, typhus, and death are everyday events. The book’s running refrain when someone disappears is: “That’s too bad….We’re still here.” The narrative belongs to Izolda Regensberg, who meets her husband, Shayek, on Page 1 and spends most of the remaining pages trying to save him, first from Auschwitz and later Mauthausen concentration camps. Initially she escapes from the ghetto and works to save her own family and Shayek’s, dyeing her hair blonde, taking on an Aryan identity, and accepting rape by policemen as a form of currency. Her nightmare picaresque journey of arrests, escapes, and desperate negotiations continues after Shayek’s arrest. She is sent into forced labor, beaten and tortured by the Gestapo, later dispatched to Auschwitz herself, and yet her indomitable resilience pushes her ever forward—and the occasional chapters set 25 years in the future, in Israel, with Izolda surrounded by grandchildren, confirm she will survive. But it’s Krall’s unique voice that dominates this detached, surreal, curiously playful tale of a woman of indefatigable resourcefulness trapped between history and her heart.
A quirky but exceptional story of infinite love and life-sustaining commitment.Pub Date: Jan. 28, 2017
ISBN: 978-1-55861-944-9
Page Count: 200
Publisher: Feminist Press
Review Posted Online: Nov. 23, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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