Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • National Book Award Finalist

Next book

THE END OF DRUM-TIME

Ambitious and resonant, a vivid, fascinating, and moving novel.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • National Book Award Finalist

This second novel by award-winning author Pylväinen—following We Sinners (2012)—brings to life a clash of cultures in 19th-century Lapland.

In 1851 in the remote town of Gárasavvon in northern Scandinavia, preacher Lars Levi Laestadius tries to turn his congregation of Swedes, Finns, and Sámi reindeer herders away from alcohol—“the Devil's piss”—toward God. “He looked at his congregants, his parishioners, his reindeer, skittish on the snow, and he saw them multiply before him, ten upon ten, so that the back of the church was not littered with drunks who stank of their drinking, but instead each face shone clean and each body’s blood coursed with the mysteries and the magics of Christ.” Revered among his followers, his spiritual awakenings begin to concern the church authorities to the south. Meanwhile, one of his daughters falls in love, the local shopkeeper laments his choices, a local woman breaks her engagement, and the Sámi herders prepare to drive their reindeer to the sea on their traditional route. Pylväinen seamlessly moves among different points of view, giving rich and satisfying breadth to a story of cultural upheaval. In the little Gárasavvon church, a confrontation about faith starts a chain reaction. And in Russia, decisions are being made that will impact everyone, the fallen and the saved. Pylväinen’s excellent debut novel concerned a contemporary American family, members of the obscure religious sect called Laestadianism; this novel goes back to its roots. Beautifully written and masterfully researched, the book's greatest triumph is the characters, full of human foibles, passions, and tenderness, jealousy, courage, doubts, and moments of transcendence. “He looked at the children, and he wondered suddenly about the length of their lives, if they would lose their reindeer, if they would go on to live in homes with walls that didn’t move….The thought made him inexpressibly sad.”

Ambitious and resonant, a vivid, fascinating, and moving novel.

Pub Date: Jan. 24, 2023

ISBN: 978-1-250-82290-1

Page Count: 368

Publisher: Henry Holt

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 253


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 253


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

Close Quickview