by Hannah Arendt Jerome Kohn ‧ RELEASE DATE: June 15, 1961
Between Past and Future is a collection of six long and rhetoric-filled essays that strive to measure how far modern man has strayed from the classical tradition, in both the way he educates his children and the way he evolves his outlook on life. This departure is not necessarily wholly bad, says the author, but she deplores the fact that nothing has been found that serves mankind so well as a deep understanding of history. Unless the reader is well acquainted with Plato, Aristotle, and Thucydides, to say nothing of Marx, Nietzsche, and Kierkegaard, it is exceedingly difficult to follow the author's tortuous consideration of the meanings of immortality, authority, freedom, and culture. Some passages, for example, depend more on citations from the Greek and other languages than they do on the inadequate translations that are provided. With a fireworks display of syntax she contrasts the position of Hegel as a political prime-mover with that of Socrates as an educator, and Robespierre's defense of terror and tyranny are compared to the statements of Machiaveill. Dr. Arendt's publishers claim that her essays can "guide and inspire those seeking to understand our times", but the claim alone is not enough to make her writing clear to readers who lack the extraordinary background required to keep pace with her professorial erudition. A lineal "key" would be more to the point. The most her book can do is make the average reader comprehend that his education is totally inadequate.
Pub Date: June 15, 1961
ISBN: 0143104810
Page Count: 298
Publisher: Viking
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: June 15, 1961
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BOOK REVIEW
by Hannah Arendt ; edited by Jerome Kohn
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
BOOK REVIEW
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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