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SMALL ODYSSEYS by Hannah Tinti

SMALL ODYSSEYS

Selected Shorts Presents 35 New Stories

edited by Hannah Tinti

Pub Date: March 15th, 2022
ISBN: 978-1-64375-199-3
Publisher: Algonquin

A wide-ranging anthology of original stories from some of today's top authors.

If you’re a public radio stan and lover of fiction, you’ve likely heard of “Selected Shorts,” the program that features actors performing readings of a variety of short stories. Among the fans of the show is novelist Tinti, who edits this anthology sponsored by the program. The 35 original stories here are divided into three sections—“Departures,” “Journeys,” and “New Worlds”—and each has its share of delights. The first section starts off with Luis Alberto Urrea’s wonderful “The King of Bread,” about a fourth grade boy coping with the loss of his mother, who’s been forced by immigration authorities to leave the U.S. He navigates his relationship with his father, whose demeanor is “jolly rage,” with trepidation and care; both miss their family member but react to her leaving very differently. It’s a lovely, understated story and an excellent introduction to the anthology. The highlight of the second section is Omar El Akkad’s “A Survey of Recent American Happenings Told Through Six Commercials for the Tennyson ClearJet Premium Touchless Bidet,” a hilarious take on capitalism in the age of constant disaster. (“Tennyson Bidets: Life is but a grotesque carnival of unbearable pain,” ends one such commercial.) Addressing the Covid-19 pandemic directly is Victor LaValle in “Bedtime Story,” which sees a father and son in New York adjusting to life under quarantine. “The city that never sleeps,” the father reflects ruefully. “Well, that’s officially bullshit now.” The 8-year-old boy is suffering from depression and misses his mom, who’s left temporarily to take care of her own sick mother. The child insists his dad take him “camping”—in the hallway of their apartment building. The story ends on a hopeful note; like all of LaValle’s work, it’s beautiful and surprising. Anthologies like this are hard to pull off; not every story is going to land with every reader. But Tinti does a good job curating this one—thematically, it makes sense; the lineup is diverse; and it serves as a good introduction for readers looking for their next favorite fiction writer.

Well-curated, eclectic, and thoughtful.