by Hannah Viano ; illustrated by Hannah Viano ‧ RELEASE DATE: April 14, 2015
This intriguing and delightfully illustrated story will be of particular interest to young readers in Washington state and...
A boy named Arrow recounts his journey from Seattle to Alaska to visit his grandfather.
Six-year-old Arrow longs for seagoing adventures, “playing captain of the cedar stump in the backyard.” He receives an invitation from Grampy Lightning and travels to Alaska on his aunt’s salmon tender boat, learning about the fishing boat and its crew during their travels. Arrow and his grandfather return to Seattle together aboard a friend’s seaplane. The longish story is told in a lyrical style, full of rich vocabulary and evocative phrases. Striking illustrations in muted blues accented with shapes of deep black have the look of woodcuts but are actually cut-paper designs in the artist’s distinctive style. A recipe for “Cast-Iron Skillet Brownies” (like those served on the salmon boat) is included on the final page. This space would have been better utilized for descriptions of the Seattle locations mentioned in the text (the Locks and Lake Union), though a map is located on the endpapers. It shows Puget Sound and Vancouver Island, marking Seattle and indicating Alaska with a directional arrow; it is too bad there is no greater specificity than that.
This intriguing and delightfully illustrated story will be of particular interest to young readers in Washington state and Alaska, who are least likely to notice the skimpiness of geographical detail. (Picture book. 5-8)Pub Date: April 14, 2015
ISBN: 978-1-57061-949-6
Page Count: 32
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Hannah Viano ; illustrated by Hannah Viano
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by Hannah Viano ; Hannah Viano
by Richard Collingridge ; illustrated by Richard Collingridge ‧ RELEASE DATE: July 31, 2018
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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by Richard Collingridge ; illustrated by Richard Collingridge
by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Naoko Stoop
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
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