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B IS FOR BEAR

A NATURAL ALPHABET

Rate this book with an A and an O for awesome and outstanding.

Viano interprets the letters with dramatic paper cuttings in a sophisticated, artistic style.

Each page is bordered in black with stylized images that resemble poster art of the early 1900s, but they are crafted with a contemporary graphic style with striking results. The words chosen for the letters all relate to nature, as the subtitle suggests. Most of them will be familiar to young readers such as “dandelion,” “fawn,” “grass,” “lightning bug,” and “violet.” Pleasingly, K is for “kids,” underscoring the importance of the outdoors to child development. Viano’s liberal approach makes the typically difficult letters relatively easy: there is “Queen Anne’s lace,” “underground,” and “lynx” (for X). The top of each page cites a capital and lowercase letter, with the key word opposite and descriptive sentences running across the bottom that often offer tantalizing facts. “This NEST belongs to paper wasps and is made from a mixture of chewed-up wood and spit.” The images are similar to Nikki McClure’s, made by cutting black paper and then coloring the resulting negative space digitally. The swirling school of herring is simply astounding. While adults are more likely to appreciate the artwork than children, the elegance of the images will leave an imprint with even very young listeners.

Rate this book with an A and an O for awesome and outstanding. (Alphabet book. 3-8)

Pub Date: Oct. 13, 2015

ISBN: 978-1-63217-039-2

Page Count: 32

Publisher: Little Bigfoot/Sasquatch

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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