by Hans de Beer & illustrated by Hans de Beer ‧ RELEASE DATE: Oct. 1, 2011
As a rudimentary introduction to friendship and environmental issues, if not geography, Lars can still create the mood.
De Beer’s little polar bear, who debuted some 25 years ago, returns in a tale that combines familiar friendship problems with up-to-date concerns.
Global warming has brought a research submarine to lonely Lars’ northern home. That warming has also stranded two young polar bears on a floe, and the submarine rescued them, since they were too young to swim. But Lars knows they must be returned to their parents. With the aid of his new dachshund friend (the ship’s dog) and his even newer Arctic fox friend (with the best nose in the universe, it knows just where the polar bears live), the cubs will be returned to mama and papa after mild adventure. The story is very gentle, and the possible effects of global warming are only nibbled at; the artwork is sharp and transporting, whether it is the inside of the submarine or the otherworldly landscape, as translucent as the aurora borealis. Geography is a little thin on the ground here. “Lars, the little polar bear, lived at the North Pole,” though on the next page, as a result of global warming, readers learn that “Lars’ friends and their families had moved farther north,” which is a pretty neat trick when you already live as far north as you can get.
As a rudimentary introduction to friendship and environmental issues, if not geography, Lars can still create the mood. (Picture book. 3-6)Pub Date: Oct. 1, 2011
ISBN: 978-0-7358-4030-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Hans de Beer ; illustrated by Hans de Beer ; translated by David Henry Wilson
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Catherine Rayner
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by Julia Donaldson ; illustrated by Axel Scheffler
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by Julia Donaldson ; illustrated by Axel Scheffler
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SEEN & HEARD
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