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LITTLE POLAR BEAR AND THE PANDAS

This little bear should have stayed at home.

The little polar bear’s newest adventure in this Swiss series takes him on a journey to China.

When Lars the polar bear curiously follows a group of tourists to the Arctic he becomes an accidental cruise-ship stowaway. Even though his new mouse friends on the ship are fun, the cub can’t wait to get home. Smuggled off the ship at the first port, Lars finds himself in a vast bamboo forest. There, he encounters Ying and Yong, twin pandas, who help him scale the Great Wall of China, the first step on his trip north. On the other side, a friendly otter named Oleg smuggles him onto an Arctic-bound mail plane. A joyful reunion with his relieved parents draws the adventure to a close. Following the formula established by previous Little Polar Bear titles, there’s minimal new ground covered in Lars’ newest adventure. While the journey is one of many miles, the story lacks urgency. Even Lars, a smile almost always upon his face, seems to know that nothing bad could ever come his way. Supporting characters are merely cardboard figures meant to convey Lars from one plot point to the next. Unfortunately, the depiction of the panda cubs begins with their cringeworthy names and continues with a description of them as nearly identical, a common Asian stereotype. Most alarmingly, Lars shows his parents what a panda looks like by smearing dirt on his father while his mother simpers, “Now black and white will be all the rage in the Arctic!” The parallels to blackface and the idea of race as fashionable are surpassingly distressing. Readers itching for an animal travelogue should opt instead for Longy Han and Elinor Hägg’s more authentic treatment, Gusto & Gecko Travel to China (2018). (This book was reviewed digitally with 10.15-by-17-inch double-page spreads viewed at 63% of actual size.)

This little bear should have stayed at home. (Picture book. 4-8)

Pub Date: Feb. 2, 2021

ISBN: 978-0-7358-4428-5

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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