A symbiotic, child-affirming union of poignant verse and charming illustrations: lovely, indeed.
A beloved collection of 23 poems from the Netherlands receives an English translation.
The poems, unpunctuated and uncapitalized except for the word I, convey the perspective of an often solitary light-skinned, blond-haired child. They tend their large contingent of toys, stuffies, and dolls, indoors and out, while astutely observing nature, their family, and the world around them. Törnqvist’s sensitive illustrations create a world around the child, visually celebrating their determined agency. Ineffability is a recurrent theme, as in “Invisible”: “sighs are invisible / just like the wind / night is invisible / when daytime begins / …but what I make up / is all visible / when I close my eyes.” In “Real” the child squeezes their sleeping mom’s ear “to tell her how I feel / wake up, mom/ I want a mom who’s real.” Törnqvist extends this beautifully telegraphed child’s-eye experience of parental unavailability in the bedroom tableau: The many draped and scattered toys tangle with mom’s castoff bra and clothing, suggesting both maternal exhaustion and a long morning of solitary play. “Freesia” is both ode and antidote to a baby’s bouts of stinkiness: “in a vase beside your bed / change it every hour / even if your diaper’s full / you’ll smell like a flower.” The child hoists the flower, leading a parade of marching toys, everyone’s noses securely pinched. Other poems investigate animal tracks, grandparents, stars, clouds, dreams, new shoes, and more. (This book was reviewed digitally.)
A symbiotic, child-affirming union of poignant verse and charming illustrations: lovely, indeed. (Picture book/poetry. 3-8)Pub Date: March 29, 2022
ISBN: 978-1-64614-128-9
Page Count: 56
Publisher: Levine Querido
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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