A novel of psychological devastation, where the unthinkable and unspeakable exist offstage.
A welcome reissue of a classic about Nazi evil originally published in German in 1959.
This psychologically subtle and acute account of denial in the face of Hitler’s rise to power received strong acclaim before disappearing from print. With the celebration last year of the 100th birthday of Keilson, a psychoanalyst who was part of the Dutch resistance during World War II, the novel has lost none of its insidious power. Cast as notes left behind by an anonymous German outcast in the years before the war, the narrative recalls the existential depth of Camus and the fabulist absurdity of Kafka or Beckett, as it illuminates the protagonist’s symbiotic relationship with the enemy whom he wishes he had killed when he might have had the chance. Though the narrator doesn’t identify himself specifically as Jewish or his adversary as Hitler, the parable has even more resonance than a fictional memoir would. “The whole thing was a comedy, a comedy in a minor key,” writes the narrator. “Tomorrow it would become real; then it would be tragedy.” The most striking episodes in a novel filled with them include a rally during the enemy’s ascent (“He still had to stay within certain limits, but his threats were unmistakable. He was not, as yet, master over life and death. As yet?”) and a chilling rampage through a cemetery, defiling the dead. The framing of the novel suggests that these pages are being read years after they were written, and written years after the events recounted, but such distance doesn’t render the narrative any less vivid: “In the middle of a sentence, in the middle of the debate with his adversary, he began to scream and rave. A lunatic!” Yet the enemy could not be so easily dismissed, as subsequent horrors would prove.
A novel of psychological devastation, where the unthinkable and unspeakable exist offstage.Pub Date: Aug. 3, 2010
ISBN: 978-0-374-13962-9
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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