Deceptively simple, nicely nourishing fiction of the old school.
An emotionally muddled art student’s unlucky sexual ventures as he stumbles upon the Sardinian woman of his dreams.
Women typically find Albert rather idiotic and pathetic, especially the Roman policewoman with whom he has an unfortunate chance encounter while pursuing his study of Caravaggio. “Preoccupied with disastrous urges,” but lacking the courage to fulfill them, poor Albert, weaned on the revolutionary books of Wilhelm Reich and Peter Kropotkin, lives on the verge of daily frustration and regret; suffering from a deep-seated skin condition, he prefers to scratch at paintings rather than analyze them. Back home in Berlin, he visits a Mafia-style Italian bar and falls for Elena, an impassive, somnolent Sardinian waitress whose uses for Albert aren’t clear. She operates as a shill for Italian gamblers, and her heart is apparently taken by an older married “Persian”; Albert is terribly jealous of the man but can’t compete with him. Eventually, Elena saves enough money to buy a house back on her homeland and take up a cosmetology business. Albert, imagining he can research Caravaggio while there, follows her. The result, as with everything in his experience, is not what he imagines. Or does he have happiness within his reach, only to throw it away like the sandwiches his mother always made him lovingly before a long train trip? In a few short, sharp strokes, German novelist Treichel (Lost, 1999) delineates Albert's miserable and permanent state of sub-being: When he and Elena make love, “it was once again as if she were allowing him to take part in a feast to which people like him weren’t usually invited.” Albert is a bumbling romantic hero who needs to be rescued, and Treichel mirrors his restless, befuddled state with dry, passionless prose beautifully rendered in a marvelous and very funny translation by Wood, who has done equally well in the past for Thomas Mann, Patrick Suskind, and Ingo Schulze.
Deceptively simple, nicely nourishing fiction of the old school.Pub Date: Sept. 21, 2004
ISBN: 0-375-42261-7
Page Count: 256
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
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