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JUMPNAUTS

From the Folding Universe series , Vol. 1

A deeply philosophical and thought-provoking story of humankind’s search for its destiny in the cosmos.

Blending elements of adventure SF with Chinese history and mythology, Hao follows a group of unlikely heroes as they attempt to avert two looming catastrophes: a war between adversarial superpowers and a botched first contact with benevolent aliens who could facilitate humankind’s next evolutionary step.

Set in 2080, the story begins when Jiang Liu, the rebellious youngest son of a politically powerful family and founder of the “world’s largest hacking collective,” is made aware of fluctuations in pulsar emission patterns near Earth. After attempting to meet with Yun Fan—an archeologist working in the Museum of the Mausoleum of Qin Shi Huang—Jiang Liu finds that Qi Fei, the head of a top-secret Chinese military research institute, is also looking to meet with the reclusive Yun Fan in search of answers to the cosmic questions. Yun Fan informs the two men—who obviously don’t trust each other—that a massive alien ship is approaching Earth and that her mission is to enter the ship. With the world’s two warring factions, the Pacific League and the Atlantic Alliance, desperately seeking to possess the alien ship’s secrets, Yun Fan and company enter the ship first—and find, among wonders beyond their wildest imaginations, that almost everything they knew about human history has been incorrect. The integration of Chinese history and myth throughout the narrative—the Terracotta Army buried with the first emperor of China, Qin Shi Huang; Confucianism; Daoism; fenghuang; qilin; and more—gives the narrative added depth. The themes explored, involving humankind’s violent and self-destructive tendencies, conclude with a glimmer of hope: “For all mankind to be one brotherhood is the grand dream of every great teacher in our history, and now we know it is also the article of faith of cosmic civilization.”

A deeply philosophical and thought-provoking story of humankind’s search for its destiny in the cosmos.

Pub Date: March 12, 2024

ISBN: 9781534422117

Page Count: 368

Publisher: Saga/Simon & Schuster

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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