Once again, Coben marries his two greatest strengths—masterfully paced plotting that leads to a climactic string of...
Coben (The Stranger, 2015, etc.) hits the bull’s eye again with this taut tale of a disgraced combat veteran whose homefront life is turned upside down by an image captured by her nanny cam.
Recent widows can’t be too careful, and the day she buries the husband who was shot by a pair of muggers in Central Park, Maya Burkett installs a concealed camera in her home to keep an eye on Lily, her 2-year-old daughter, and her nanny, Isabella Mendez , while she’s out at her job as a flight instructor. She’s shocked beyond belief when she checks the footage and sees images of her murdered husband returned from the grave to her den. Confronted with the video, Isabella claims she doesn’t see anything that looks like Joe Burkett, then blasts Maya with pepper spray and takes off with the memory card. Should Maya go to the police? They were no help when her sister, Claire, was killed in a home invasion while she was deployed in the Middle East, and she doesn’t trust Roger Kierce, the NYPD homicide detective heading the investigation of Joe’s murder. Besides, Maya’s already juggling a heavy load of baggage. Whistle-blower Corey Rudzinski ended her military career when he posted footage of her ordering a defensive airstrike that killed five civilians, and she’s just waiting for him to release the audio feed that would damage her reputation even more. So after Kierce drops a bombshell—the same gun was used to shoot both Joe and Claire—Maya launches her own investigation, little knowing that it will link both murders to the death more than 10 years ago of Joe’s brother Andrew and the secrets the wealthy and powerful Burkett family has been hiding ever since.
Once again, Coben marries his two greatest strengths—masterfully paced plotting that leads to a climactic string of fireworks and the ability to root all the revelations in deeply felt emotions—in a tale guaranteed to fool even the craftiest readers a lot more than once.Pub Date: March 22, 2016
ISBN: 978-0-525-95509-2
Page Count: 400
Publisher: Dutton
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
