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FALSTAFF

GIVE ME LIFE

In this first of five books about Shakespearean personalities, Bloom brings erudition and boundless enthusiasm.

An ardent admirer of Shakespeare analyzes an incomparably robust character.

For esteemed literary critic Bloom (Humanities/Yale Univ.; The Daemon Knows: Literary Greatness and the American Sublime, 2015, etc.), MacArthur Fellow and winner of multiple awards and honorary degrees, Shakespeare’s Sir John Falstaff has enduring appeal, a character who “springs to life” anew each time he is read or seen on stage. Falstaff, Bloom asserts, “is as bewildering as Hamlet, as infinitely varied as Cleopatra.” Unlike the beleaguered, grieving prince or the Egyptian queen, however, Falstaff appears in plays not as frequently performed: Shakespeare’s trilogy of Henry plays. Bloom, though, assumes his readers—like students who have done their assignments—are as cognizant of these plays as he is. In 21 chapters, he analyzes excerpts from the plays to support his argument that the ribald Falstaff is life-affirming, “everliving,” and “the greatest wit in literature.” Bloom, now 86, feeling some diminishment with age, is buoyed by Falstaff, who “resolutely remains a child” and “finds fresh delight in play.” Bloom gained some insight into the character when he performed the role with the American Repertory Theatre in Cambridge, Massachusetts, in 2000 and at Yale, and he has seen a host of notable actors take it on. He especially admires the interpretations of Ralph Richardson, who played Falstaff with “a wounded dignity,” and Orson Welles, who “relished the goodness of every phrase” that Falstaff spoke, “tasting it as if it were bread and wine.” Of all Shakespeare’s characters, Falstaff and Hamlet seem to Bloom “as being creations nearest” to the “concealed inwardness” of the playwright. Indeed, he writes, “it is difficult for me to withstand the temptation of identifying the Fat Knight with Shakespeare himself.”

In this first of five books about Shakespearean personalities, Bloom brings erudition and boundless enthusiasm.

Pub Date: April 4, 2017

ISBN: 978-1-5011-6413-2

Page Count: 176

Publisher: Scribner

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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