Yeats, with his grand style, his "artifice of eternity," his "singing masters" (Blake and Shelley and the ancient bards), his heroic soul "fastened to a dying animal," has always seemed the sort of superman the modern age either must instinctively distrust or deliriously admire. Full of contradictions, a youthful admirer of Madame Blavatsky, a towering, austere, passionate mythmaker, a crosspatch metaphysician (see A Vision), his poems, nevertheless, are generally regarded as the major ones of our century. While not actually dissenting from this evaluation, Harold Bloom does ask us to turn a very cold eye indeed, not only upon Yeats the man, as does the usual left-wing critic with his proto-fascist labeling, but, more decisively, on Yeats the poet, so we may better understand what the glorious rhetoric's all about. "The Higher Criticism of Yeats, when it is more fully developed, will have to engage the radical issue of his subjectivity, particularly as it is expressed in his myth of the antithetical man." Yeats' dialogues of self and soul which suggest monologues, his phases of the moon and Gnostic wheel-turnings, his frequently insupportable images of History or Unity of Being, often seem, to Professor Bloom, solipsistic, or worse: a poet "does not cease to be a sentimentalist and rhetorician merely by declaring himself to be the possessor of a vision of reality, and there is much self-deception in Meditations." These are fighting words, but Bloom's a brilliant scholar. His argument, though perhaps built on rationalist or unimaginative premises, will clearly, as Bloom no doubt intended, cause a stir among the Yeats factions here and elsewhere.
Pub Date: April 30, 1970
ISBN: 0195016033
Page Count: 518
Publisher: Oxford Univ.
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: April 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
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