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LOOK AWAY

In a departure from his tales of contemporary or near-future conflicts, Coyle (Code of Honor, 1994) gets off to an absorbing start on a new Civil War series. Following a girl's violent but accidental death (which is hushed up), Princeton student James Bannon is banished to Virginia Military Institute by his overbearing father, a widowed Irish immigrant whose business achievements have not earned him the social acceptance he craves. Younger brother Kevin (who's actually responsible for the tragic mishap) remains at home in New Jersey and enrolls at Rutgers. Once the battle between North and South is joined, James follows VMI best friend Will MacPherson into the Virginia Volunteers, while Bannon päre uses his political connections to obtain the insecure Kevin a commission in the state militia. Ignorant of the other's whereabouts, the two brothers (whose loyalty has survived their separation) fight on opposite sides in some epic campaigns from Manassas, Antietam, and Fredericksburg through the Wilderness. Meanwhile, as the struggle between Union and Confederate forces grinds on, both men suffer grievous personal losses but find love amid the carnage: a more self-assured Kevin with Harriet Shields, a headstrong daughter of the local gentry who crosses the Mason-Dixon line to nurse the wounded; and alienated James with Mary Beth, Will's rebel sister. The brothers finally meet during the fierce clash atop Gettysburg's Seminary Ridge. Following a brief, emotional encounter, however, they part. Renewed in spirit, James marches off to continue fighting for the lost cause he now supports wholeheartedly, while Kevin and Harriet are left to wonder when or whether their paths will cross again. Authentic accounts of murderous combat on home-front battlefields, plus nuanced portrayals of men and women at arms. A rally-round-the-flag triumph with storytelling appeal for the Blue or the Gray.

Pub Date: June 1, 1995

ISBN: 0-684-80392-5

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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