by Harold Holzer ‧ RELEASE DATE: March 5, 2019
This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to...
The first comprehensive biography of a great American sculptor.
Award-winning historian and Abraham Lincoln scholar Holzer (1865: America Makes War and Peace in Lincoln's Final Year, 2015, etc.) offers a much-needed biography of the little-known American sculptor Daniel Chester French (1850-1931). The author begins his superb book with a stirring account of the 1922 dedication of the Lincoln Memorial. At the front of the large crowd was President Warren G. Harding and Lincoln’s son, Robert, while off to the side, “unrecognized by most,” sat the “thin, aging,” New England sculptor of the iconic, 240-ton marble statue, which is “now regarded as the most famous sculpture ever created of or by an American.” Black dignitaries, meanwhile, were seated on benches a “block away.” French was largely self-taught, and his supportive father enlisted instruction for his teenage son from the “accomplished watercolor painter May Alcott.” Afterward, French joked, he decided to become a sculptor. His “talent was undeniable.” In lavish detail, Holzer chronicles the development of French’s career. His first major commission was Minute Man bronze monument (1875) in Concord, Massachusetts, for which he received “rhapsodic reviews” and generous royalties from popular reproductions. His impressive The Awakening of Endymion followed, and then a commission to sculpt Ralph Waldo Emerson, who exclaimed, “That is the face that I shave!” With his sculpture of the renowned deaf educator Thomas Gallaudet, Holzer writes, French reached a “new plateau of virtuosity.” His “hard-won status” was now secure, and two of his sculptures, including the colossal Republic, were exhibited at the 1893 World’s Fair in Chicago. In 1903, French was elected to the board of the Metropolitan Museum of Art and assisted them in acquiring crucial American works of sculpture. He accepted the Lincoln commission in 1915. Its dedication would be the “crowning moment” of “French’s long and extraordinary career.”
This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to American art.Pub Date: March 5, 2019
ISBN: 978-1-61689-753-6
Page Count: 368
Publisher: Princeton Architectural Press
Review Posted Online: Nov. 19, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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