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INEQUALITY

DARWINIAN EVOLUTION AN DISPARITY IN THE WEALTH OF NATIONS

Engaging, multifaceted discussions of a perennial economic issue.

A wide-ranging exploration of the origins of inequality.

Although economic disparity is a major source of debate in contemporary political discourse, philosophical investigations into its principal causes have gone on for centuries. Debut author Longaker examines the issue by starting with a focused question: why did some nations spectacularly capitalize on the economic opportunities generated by the Industrial Revolution, while others missed the boat? The author’s response heavily applies principles of Darwinian evolution. Prior to the Industrial Revolution, he says, the world’s rate of population growth was largely stagnant; later, economically affluent people reproduced at a more impressive rate than their poorer counterparts, more of their offspring survived, and the traits that supported their superior success proved heritable, Longaker asserts. But after a process that took approximately 1,000 years, the difference between the global rich and poor has solidified, he says, and the power of Darwinian evolution has waned: “Darwinian fitness, at least as we have used it, no longer operates nearly as intensely as before.” The author’s study is stunningly broad, traversing an extraordinary swath of intellectual territory, including ideas from economics, evolutionary biology, anthropology, and psychology, just to name a few. He shows a refreshing penchant for challenging regnant academic pieties; he presents powerful reasons to be suspicious of the doctrine of “psychic unity,” for example. Although the book doesn’t appear to have any discriminatory or prejudicial motivations, the author offers a thoughtful, lively response to potential accusations of racism, which he calls “wrongheaded.” Additionally, Longaker provides a searching analysis of the stubborn problem of poverty, astutely distinguishing between urban and rural manifestations. The book’s survey of the relevant literature is also instructive; the author helpfully contrasts his own work with Guns, Germs, and Steel author Jared Diamond’s geographical determinism, for instance. But although the prose is consistently accessible, this is still a long and sometimes-long-winded analysis that’s heavy on statistical minutiae, and some of the more data-laden sections may prove exhausting. However, the author’s meticulousness and spirited iconoclasm repays careful attention.

Engaging, multifaceted discussions of a perennial economic issue.

Pub Date: March 31, 2017

ISBN: 978-0-9979617-0-6

Page Count: 404

Publisher: Napoleon Avenue

Review Posted Online: Jan. 12, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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