Which industry’s next? Ghostwriting?
Robbins’s fifth postmortal work again alternates splendid pulp with thudding prose.
Each Robbins epic features a new venue for bottomless greed. Sin City (2002) took us behind the scenes at Vegas, Never Enough into the secrets of Wall Street and illegal trading, and The Secret into Victoria’s Secret with its nose deep into thongs and Brazilian wax jobs. The mistitled Heat of Passion (it should be Cold Passion) has its stunningly well-written passages (for a Robbins novel) about the secrets of the diamond industry, quite haunting passages of research afloat on a steaming sea of sex, all of it blood-pounding, pelvic, and vulgar. It’s breakfast with a Cartier or Harry Winston catalogue while gobbling a stack of buttery sugared cinnamon toast. Win Liberte was born in a taxicab on the afternoon Kennedy died. His gem of a mother dies when he’s young, and he’s raised by his grandfather and father, who buy rough diamonds wholesale on 47th Street and sell them as cut stones. Dad remarries, and Win now has an older stepbrother, Leo, who delights in evaluating diamonds while Win cares nothing for the industry. When Dad dies, Win inherits a business handled for him by his uncle and stepbrother while hormonal Win devotes himself to boats and “clits.” But when Uncle loses the company funds and Leo rips him off, Win is left penniless, with all his property under lien—except for a diamond mine in Angola that no one will buy because of the Angolans’ endless civil strife. Win heads for the mine, makes a go of it against vastly bloody odds, then finds himself facing the worldwide De Beers monopoly. “Harold’s” grossest scene is hard to choose, though a standout is Win’s pronging the 18-year-old daughter of his former lover when the mother, who’d once tried to kill him, walks in and wraps her cold fingers around his tool: “My blood ignited and I felt the lead rising in my pencil.”
Which industry’s next? Ghostwriting?Pub Date: Oct. 29, 2003
ISBN: 0-765-30002-8
Page Count: 448
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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