A novel that wavers between fireball excitement and abysmal vulgarity, that leaves the reader dazed with complexities and a feeling that greater spiritual health might have resulted through never having read it—though zillions will. Robbins is no clearer this time out than he's ever been. The sex-and-cocaine-driven, power-hungry plot begins with such rapid editing and scene-switching that the reader's feet barely get grounded before they're somewhere else: For about a third of the novel it's straight action/adventure on the Amazon; then the byzantine plot becomes Robbins's fettuccine Alfredo, with strands dipping and whipping and doubling back until even the main characters don't know who's on whose side—and even the most unaware reader realizes that Robbins's storytelling is as important as his story. If you can follow it, Robbins has failed. Jed Stevens (formerly Di Stefano) is induced by his Mafia cousin Angelo into a trip up the Amazon that turns out to be a big coca-leaf buy; they are accompanied by beautiful translator Alma, who is immensely proud of her ``Peruvian pussy''—but they are attacked by mestizos, Angelo is eaten by piranhas, and Alma gets Jed out of Peru and back to Manhattan, where Jed's Uncle Rocco (Angelo's father) is top capo and wants Jed to join him in the Mafia except that Jed wants to get into airlines and with a big loan from Uncle Rocco buys fleets of jetliners and rents them out to small countries but then finds himself involved in huge junk-bond deals and more or less legitimate credit scams while Uncle Rocco unsuccessfully tries to retire from the Mafia so that he can die with honor at home in bed rather than by a hail of bullets during a time when lead-filled bodies are falling on every other page and surreal financial deals are clinched by world-hopping satyrs and girls who say, ``Would you like some pussy pie? But just remember, you'll have to lick your fingers, it's very, very juicy.'' Unclean, unclean!
Pub Date: June 27, 1991
ISBN: 0-671-52479-8
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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