A novel that wavers between fireball excitement and abysmal vulgarity, that leaves the reader dazed with complexities and a feeling that greater spiritual health might have resulted through never having read it—though zillions will. Robbins is no clearer this time out than he's ever been. The sex-and-cocaine-driven, power-hungry plot begins with such rapid editing and scene-switching that the reader's feet barely get grounded before they're somewhere else: For about a third of the novel it's straight action/adventure on the Amazon; then the byzantine plot becomes Robbins's fettuccine Alfredo, with strands dipping and whipping and doubling back until even the main characters don't know who's on whose side—and even the most unaware reader realizes that Robbins's storytelling is as important as his story. If you can follow it, Robbins has failed. Jed Stevens (formerly Di Stefano) is induced by his Mafia cousin Angelo into a trip up the Amazon that turns out to be a big coca-leaf buy; they are accompanied by beautiful translator Alma, who is immensely proud of her ``Peruvian pussy''—but they are attacked by mestizos, Angelo is eaten by piranhas, and Alma gets Jed out of Peru and back to Manhattan, where Jed's Uncle Rocco (Angelo's father) is top capo and wants Jed to join him in the Mafia except that Jed wants to get into airlines and with a big loan from Uncle Rocco buys fleets of jetliners and rents them out to small countries but then finds himself involved in huge junk-bond deals and more or less legitimate credit scams while Uncle Rocco unsuccessfully tries to retire from the Mafia so that he can die with honor at home in bed rather than by a hail of bullets during a time when lead-filled bodies are falling on every other page and surreal financial deals are clinched by world-hopping satyrs and girls who say, ``Would you like some pussy pie? But just remember, you'll have to lick your fingers, it's very, very juicy.'' Unclean, unclean!
Pub Date: June 27, 1991
ISBN: 0-671-52479-8
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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