Tender tales that offer strong female protagonists and a peek at early-20th-century Americana.
This third installment of a series uses a collection of short stories to expand the character of Catherine O’Shaughnessy, the fictional stand-in for the author’s mother.
The O’Shaughnessy Chronicles, the final volume of which is expected later this year, is a hybrid—family history harvested from Thorpe’s (Bittersweet Harvest, 2013, etc.) mother’s memoir amplified through fiction. The narratives are set in Iowa County in the southwest corner of Wisconsin, where Catherine and her two older sisters, Ruby and Sharon, are being raised on the family farm. Beginning with an adventure at a local carnival, during which young Catherine becomes separated from her siblings and is almost assaulted by a worker, the stories move through the post–World War I years in a series of vignettes that track the protagonist’s development from a child to a young grade-school teacher. Troublemaker Ruby is Catherine’s heroine, and the episodes in the first section of the book, “Ties That Bind,” recount the scrapes and misadventures in which the two girls find themselves. The second section, “Unfettered and Free,” sees the arrival from Texas of cousin Gusta, who has been sent to stay with the family for a year. Her antics add a bit of the wild side to the girls’ sheltered lives. Finally, in “Fraying the Ties,” Catherine, approaching her 20s, falls in love with Jonathon Hays, principal of the town’s high school. Two voices lead readers through the volume; the lengthy introduction and the prefaces to each of the stories are narrated by the author. The tales themselves are narrated by Catherine. Thorpe’s explanations for why each story is included and how it was changed from the memoir are unnecessary and become tedious—something that could have been included in endnotes without interrupting the flow of the fiction. But the individual vignettes themselves are engaging. They create a fully developed portrait of Catherine as well as vivid images of each piece’s time and place. Polished prose balances the squabbles, Depression-era poverty, and some painful losses with nostalgic innocence and humor.
Tender tales that offer strong female protagonists and a peek at early-20th-century Americana.Pub Date: Sept. 28, 2018
ISBN: 978-1-942586-45-6
Page Count: 180
Publisher: Little Creek Press
Review Posted Online: Aug. 29, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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