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INFECTIOUS MADNESS

THE SURPRISING SCIENCE OF HOW WE "CATCH" MENTAL ILLNESS

Conclusion: an unproven but undoubtedly provocative case. Expect dissent and discussion.

A pitch for infections as a major cause of mental illness, arguing for a paradigm shift from mainstream psychiatric doctrine.

Journalist Washington (Deadly Monopolies: The Shocking Corporate Takeover of Life Itself—And the Consequences for Your Health and Our Medical Future, 2011, etc.) champions the work of E. Fuller Torrey and colleagues. As a young man, Torrey was appalled when his sister was diagnosed with schizophrenia attributed to “family problems.” It was a time when “schizophrenogenic mothers” were all the fashion. Torrey became a psychiatrist and started his infection-oriented research. It’s unquestionable that some severe mental illness is rooted in infections—e.g., syphilis, rabies, Sydenham’s chorea, the World War I flu that led to encephalitis lethargica, and, more recently, Creutzfeldt-Jakob, and mad cow disease. However, Torrey and his colleagues see infectious causality in a much wider variety of mental illnesses, including schizophrenia, bipolar disease, obsessive-compulsive disorder, Tourette syndrome, autism, and anorexia. The evidence is scant, largely based on association studies such as finding evidence of infections in blood or spinal fluid or a seasonal increase in some disorders that could be a sign of a viral infection. Furthermore, conjecture abounds. Do children really pick up the parasite Toxoplasma gondii from cat urine in park sandboxes and later develop schizophrenia? For all that infections are touted, researchers cite genetics, stress, and trauma as making a difference in whether disease will manifest. A better case is made regarding strep throat, after which a few children develop OCD seemingly overnight. In a small study, their symptoms were reversed when their blood was filtered to remove strep antibodies. In making the infectious pitch, Washington rightly argues that it strengthens the case for abandoning the Cartesian dualism that separates mind from body and leads to stigma and fear. It’s acceptable to study how infection and immunity affect the brain, but only as part of a larger agenda to understand the brain in all its plasticity and complexity.

Conclusion: an unproven but undoubtedly provocative case. Expect dissent and discussion.

Pub Date: Oct. 6, 2015

ISBN: 978-0-316-27780-8

Page Count: 304

Publisher: Little, Brown

Review Posted Online: July 26, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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