by Harrison Candelaria Fletcher ‧ RELEASE DATE: Jan. 1, 2016
A lovingly crafted portrait of a person and a place.
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In fragments of memory and description, Fletcher (Descanso for My Father, 2012) recalls his mother’s life, his family history, and a New Mexico that’s disappearing.
In this unusual work of creative nonfiction, the author’s memories spill out like newly discovered treasures. In a narrative framed by his visit to his aging mother in his native New Mexico, Fletcher provides a series of prose poems—some short, some essay-length—inspired by artifacts that his artist mother “rescued” from the desert and his own explorations of places he heard about in childhood stories. The book lacks a strictly linear plot and is instead organized into eight thematic sections with titles that evoke their moods, including “homing,” “root,” and “nostalgia.” Fletcher’s prose vividly depicts the New Mexican landscape; for example, he describes a valley as “the small of a woman’s back, an earthen hollow beneath the shoulder blades,” and a river as a “mud-brown tapeworm.” When he arrives at his mother’s house during a storm, he realizes how little he knows “of her life—and how it came to be,” so he delves back in time, uncovering stories of his grandparents, his great-grandparents, and other ancestors, which border on folklore. Along the way, he pieces together a family history, with memories overlapping one another through multiple generations. In these stories, a complete picture of his mother gradually emerges—as a young girl, as a wife, as a widow, and as an artist. The tales sometimes evoke the supernatural, including “presentimientos,” or visions of loved ones at their deaths, which he says once “happened all the time.” These hints of magical realism complement the dreamlike writing and the prominence of the natural world in it. “We live in a world of miracles,” his mother says at one point. Fletcher’s book is a chronicle of all the quiet miracles that make a life.
A lovingly crafted portrait of a person and a place.Pub Date: Jan. 1, 2016
ISBN: 978-1-938769-13-9
Page Count: 272
Publisher: Autumn House Press
Review Posted Online: Nov. 9, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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