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THE WORLD'S LARGEST MAN

A MEMOIR

An uncommonly entertaining story replete with consistent wit and lethal weaponry.

Oxford American humor columnist Key (English/Savannah Coll. of Art and Design) pens a memoir about his father, a man with “the emotional tenderness of a Soviet farm tractor.”

As a boy, the author was partial to sock puppets, calligraphy, and poems tapped out on an electric typewriter. Even so, “Pop” attempted to teach his son all the necessary outdoor skills so important to a growing boy, including contact sports, fishing, fighting, and the frequent employment of firearms to “kill shit.” (In a “Note to the Reader,” the author writes, “I have changed the names of many characters…because most of those people own guns.”) Those were the pertinent and suitable activities for boys coming of age in the environs of Coldwater, Mississippi. Key’s relationships with his loving mother, a badass elder brother, and, eventually, a beloved wife and cherished children all connect with Pop and the author’s position as the strange scion of a big man with a huge head on a red neck. The author eventually evolved from a blameless, scared kid to an innocent, scared adult as he learned the odd joy of danger and how to wear a bow tie. Pop evolved, as well, as the paterfamilias who learned to disregard his instinctive rule for human contact: men over here, women over there. Key had his basic training in American civilization, particularly as practiced in the not-so-long-ago South. His spouse supervised such matters as babies—how to make them, diaper them, and raise them—though she is never mentioned by name. Forget the touch of Jean Shepherd, the satire of Gary Shteyngart, or the dash of Dave Barry; Key’s talent is all his own, and it is solid. Consistently seasoned with laughs, this memoir is adroitly warm and deep when it is called for.

An uncommonly entertaining story replete with consistent wit and lethal weaponry.

Pub Date: May 12, 2015

ISBN: 978-0-06-235149-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 14, 2015

Kirkus Reviews Issue: April 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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