Next book

SCAR LOVER

The latest novel by this former master of true grit southern fiction smartly steers away from the slapstick antics that so marred his last (Body, 1990). Even so, Crews still can't re-create the redneck eloquence of his early work. All the losers and weirdos who people this off-kilter book bear some kind of scar, literal or metaphoric. Pete Butcher, boxcar worker and former Marine, carries the heaviest burden—three years earlier he accidentally slammed his four-year-old brother in the forehead with a hammer, turning the bright and affectionate boy into a slobbering vegetable. Shortly thereafter, his parents die in a flaming car wreck, his brother is institutionalized, and the rest of Pete's family rejects him. This Georgia boy quits the University of Florida after four days and finds himself busting his hump in Jacksonville, trying to forget the past. Only no one will let him. Not his co-worker George, a bulking Rastafarian from Jamaica whose back is branded annually by his woman, Linga, a voodoo goddess with an elaborate design of scars on her beautiful mulatto face. When the family across the street from Pete's boardinghouse learns his story from a busybody neighbor, they too join the effort to redeem Pete, who feels ``cursed before man and God.'' The Leemers themselves are also part of the ``walking wounded''—mother Gertrude has just had a radical mastectomy; father Henry is a hard- working, overly cautious fellow; and daughter Sarah, who captures Pete's heart, fears the lump in her breast may be a legacy from her mother. After Henry dies from a heart attack, things take a turn for the bizarre, sucking Pete into a wild plot of corpse-snatching, cremation, and Rasta hocus-pocus. Only the strong and patient Sarah (``a woman to be reckoned with'') can pull Pete from this ``quagmire of craziness,'' and also reunite his family. A roomful of farting corpses indicates the depths to which Crews sinks here for comic relief. From sin to redemption, this highly improbable tale of hope and affirmation just doesn't cut it- -it's as belabored as the awkward title.

Pub Date: Feb. 1, 1992

ISBN: 0-671-74489-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 54


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 54


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:
Close Quickview