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DON'T TURN AROUND

Go ahead and suspend your disbelief. Every shiver will tell you it’s worth it.

A true-crime author whose whole life seems to have been dictated by her brush with a killer when she was a child is forced to confront the demons he unleashed.

Kate Summerlin was 11 when she sneaked out of her bedroom window, wandered around the wooded area surrounding her yard in upstate New York, and found the elaborately posed body of Melissa Cornelle, a former student of her father, Seagate College professor Arthur Summerlin. Even worse, the killer, who was still on the scene, came up behind Kate, touched a gun barrel to her neck and commanded her, “Don’t turn around.” How much more stressful could things get? Well, Melissa’s was only the first of 11 murders committed and staged by a killer signing himself Merkury. A newly discovered victim, Seagate student Bryan Cayhill, stretches this string to 12. And Kate, who’s widely associated with the case even though she’s always avoided it in writing her own books, is covering up some terrible secrets about that night, beginning but not ending with the fact that she and Merkury had a much longer conversation than she reported to Alexander Police Chief Vera Landen or anyone else. Canny spine-tingler Dolan brings his pot to such a rolling boil of violence and shocking revelations halfway through that you may wonder what could possibly follow. Rest assured: Things could get even worse, even though you’ll have to swallow some wild implausibilities along the way.

Go ahead and suspend your disbelief. Every shiver will tell you it’s worth it.

Pub Date: April 2, 2024

ISBN: 9780802162823

Page Count: 384

Publisher: Atlantic Monthly

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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IDENTITY UNKNOWN

Expert, but unsurprising.

The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.

If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.

Expert, but unsurprising.

Pub Date: Oct. 8, 2024

ISBN: 9781538770382

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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