A fair middle chapter in the series, which will undoubtedly appeal to Turtledove’s fans.
Turtledove (The War That Came Early: The Big Switch, 2011, etc.) delivers the fourth installment in his latest series, depicting an alternate-history version of World War II.
This grandly staged what-if series began with Turtledove’s 2009 novel Hitler’s War, which portrayed an alternate version of WWII starting with a 1938 German invasion of Czechoslovakia. (In the real world, the war began in 1939 when the Nazis invaded Poland.) A domino effect of divergent events followed in the next two books. As this book opens in January 1941, British and French forces have joined with Germany against the Soviets, while the U.S., fighting Japan, is staying out of the European conflict. Soon, however, a governmental coup in England begins a shifting of alliances. As with previous books, Turtledove tells his story through many different characters—frontline soldiers, civilian Americans and persecuted German Jews, among others—while major historical figures, such and Hitler and FDR, exist solely in the background. (Winston Churchill, however, has already met an untimely end.) Turtledove’s huge cast is a testament to his commitment to worldbuilding, but the constant scene shifts make the story feel a bit scattered, and some plotlines, such as the English situation, are more consistently interesting than others. For the most part, the story merely inches along, which may tax the patience of all but the most ardent WWII aficionados. While the book’s grand scope and Turtledove’s impressive historical knowledge are admirable, this installment seems to be merely laying groundwork for more earthshaking events to come.
A fair middle chapter in the series, which will undoubtedly appeal to Turtledove’s fans.Pub Date: July 31, 2012
ISBN: 978-0-345-52465-2
Page Count: 432
Publisher: Del Rey/Ballantine
Review Posted Online: May 28, 2012
Kirkus Reviews Issue: June 15, 2012
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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