As warm and friendly as a kind grandparent.
This road trip has been a lifetime in the making.
Readers are introduced to a young, brown-skinned, curly-haired protagonist on a visit to their White grandfather’s cottage. While there, the protagonist, who narrates, and their grandfather play the usual games and do the usual activities, but Grandad also tells stories about how he and Gramps, a man of color who is now deceased, met and fell in love while traveling in an old VW microbus. Inspired by these tales, the narrator encourages Grandad to fix up the van, and the two take it for a road trip to the beach. This is a quiet story that speaks volumes, and astute educators and storytellers will be able to use the book in both intimate storytimes and with larger groups. Caregivers, especially older ones, may see this book as an opportunity to talk about departed loved ones and introduce their happy memories to a younger generation—many a family will find themselves pulling out photo albums to relate their own origin stories. The artwork is enticing and rich, and readers will be happy to pore over the pages studying details like Grandad’s friendly dog and the textured backgrounds as they read and reread the story. This book deserves pride of place on any bookshelf, be it in a library, school, or home. (This book was reviewed digitally with 11-by-19-inch double-page spreads viewed at actual size.)
As warm and friendly as a kind grandparent. (Picture book. 4-8)Pub Date: April 6, 2021
ISBN: 978-1-4998-1193-3
Page Count: 32
Publisher: Little Bee Books
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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