A seductive and gratifying intellectual and romantic adventure.
Casual acquaintances and complete strangers alike meet and pass during the small hours of a Tokyo night, in the terse, riddling new novel from Japanese master Murakami (Blind Willow, Sleeping Woman, stories, 2006, etc.).
Its characters are ships in the night that carry cargoes of suppressed emotion and unresolved desires; hence their interactions comprise a spare narrative quite different from Murakami’s hip, weird epics (The Wind-Up Bird Chronicle, Kafka on the Shore) and more reminiscent of such plaintive tales of unrequited or misdirected affections as Norwegian Wood and Sputnik Sweetheart. It begins “around midnight” as young trombonist Takahashi invites himself to join college student Mari, as she’s studying in an all-night Denny’s restaurant. Though he recalls meeting her while courting the attention of Mari’s beautiful sister Eri, Mari seems indifferent—until Takahashi (realizing Mari speaks Chinese) persuades her to assist his friend Kaoru (who manages an all-night “love hotel”) in helping a Chinese prostitute who’s been savagely beaten by one of her johns. Characters thus brought together subsequently split off, as Murakami’s omniscient narrator focuses alternately on the abusive john (a computer specialist, Shirakawa) and on the aforementioned Eri, who is observed languishing in a death-like sleep from which she emerges only randomly and briefly—and whose mysterious condition is somehow linked to Shirakawa. The connection is never fully explained, as the advancing hours bring the sleepless in and out of one another’s orbits, and the realistic details of Murakami’s enigmatic plot are deployed to suggest how—whether by design or by chance—we are all simultaneously involved in one another’s lives and prohibited from fully understanding, or even entering, other people’s “worlds.” The result is a pellucid dramatization of disconnection, alienation, the hunger for human contact and the strategies by which we all manage to “make it through the night.”
A seductive and gratifying intellectual and romantic adventure.Pub Date: May 14, 2007
ISBN: 0-307-26583-8
Page Count: 208
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2007
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
