Another tour de force from Japan’s greatest living novelist.
Murakami (IQ84, 2011, etc.) turns in a trademark story that blends the commonplace with the nightmarish in a Japan full of hollow men.
Poor achromatic Tsukuru. For some inexplicable reason, his four best friends, two males, two females, have cut him off without a word. Perhaps, he reckons between thoughts of suicide, it’s because they can pair off more easily without a fifth wheel; perhaps it’s because his name means “builder,” while all theirs have to do with colors: red pine, blue sea, white root, black field. Alas for Tsukuru, he “lacked a striking personality, or any qualities that made him stand out”—though, for all that, he’s different. Fast-forward two decades, and Tsukuru, true to both his name and his one great passion in life, designs train stations. He’s still wounded by the banishment, still mystified at his friends’ behavior. Helpfully, his girlfriend suggests that he make contact with the foursome to find out what he’d done and why he’d deserved their silence. Naturally, this being a Murakami story, the possibilities are hallucinogenic, Kafkaesque, and otherwise unsettling and ominous: “Gray is a mixture of white and black. Change its shade, and it can easily melt into various gradations of darkness.” That old saying about not asking questions if you don’t want to know the answers—well, there’s the rub, and there’s Tsukuru’s problem. He finds that his friends' lives aren’t so golden (the most promising of them now hawks Lexuses and knowingly owns up to it: “I bet I sound like a car salesman?”); his life by comparison isn't so bad. Or is it? It’s left to the reader to judge. Murakami writes with the same murky sense of time that characterized 1Q84, but this book, short and haunting, is really of a piece with older work such as Norwegian Wood and, yes, Kafka on the Shore. The reader will enjoy watching Murakami play with color symbolism down to the very last line of the story, even as Tsukuru sinks deeper into a dangerous enigma.
Another tour de force from Japan’s greatest living novelist.Pub Date: Aug. 12, 2014
ISBN: 978-0-385-35210-9
Page Count: 352
Publisher: Knopf
Review Posted Online: June 14, 2014
Kirkus Reviews Issue: July 1, 2014
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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