Astonishing, puzzling, and hallucinatory as only Murakami can be, and one of his most satisfying tales.
Another beguilingly enigmatic tale from Murakami, complete with jazz, coffee, Borgesian twists, the Beatles, and other trademark motifs.
In what is in many ways a bookend to 1Q84, Murakami blends science fiction, gothic novel, noir mystery, horror (think Kiyoshi Kurosawa’s film Pulse), and coming-of-age story. His protagonist and narrator, as the novel opens, is a 17-year-old boy aswoon in love with a 16-year-old girl. “At that time neither you nor I had names,” he sighs, and when the girl slips away, he knows too little about her to find her. Before that, though, she transports him to a walled city that’s not on any map: “Not everyone can enter. You need special qualifications to do that.” Both of them have those qualifications, the young man filling the urgently needed role of a reader of dusty and long-backlogged dreams. The girl moves on, the boy becomes a middle-aged man, and back in the real world where “silence and nothingness, as always, were my constant companions,” he abandons Tokyo for a little mountain town to become its librarian, curating real books, not dreams. There he encounters two otherworldly characters, one a neurodivergent teen, Yellow Submarine Boy, who memorizes every book he reads, whatever the subject. The other—well, as he explains, “without hesitation, I’d say that although it’s rather dated and convenient, you could call me a ghost.” Both characters point in their own ways to a fleeting world where all that matters, in the end, is love—and where love is always just out of reach. It’s an elegant fable that deftly weaves ordinary reality—“something you have to choose by yourself, out of several possible alternatives”—with a shadow world that is at once eerie and beautiful.
Astonishing, puzzling, and hallucinatory as only Murakami can be, and one of his most satisfying tales.Pub Date: Nov. 19, 2024
ISBN: 9780593801970
Page Count: 432
Publisher: Knopf
Review Posted Online: July 11, 2024
Kirkus Reviews Issue: Aug. 15, 2024
SEEN & HEARD
PERSPECTIVES
A thrilling, immersive tale that shows that some bargains demand more than just a crown.
A reluctant princess is thrust into deadly political intrigue in Perry’s sweeping, high-stakes romantasy.
Odessa is the overlooked and underestimated princess of Quentis, whose life takes an unexpected turn when a deal is struck between her father and the formidable Turan warriors force her into an arranged marriage with their enigmatic prince, Zavier Wolfe. Intended as a mere formality to secure trade routes and military alliances, the betrothal spirals into something far more dangerous when ancient magic, a ruthless Guardian, and a looming war threaten to upend everything she knows. Finally emerging from the shadow of her seemingly perfect half sister, Mae, Odessa must navigate court politics, monstrous creatures, and her own uncertain place in a world where survival often depends on strategy rather than strength. As tensions rise, she finds herself entangled with the dangerous, enigmatic Guardian—a man whose silver eyes hold secrets of their own. Perry’s worldbuilding is lush and immersive, crafting a kingdom rife with old magic, deadly beasts, and political machinations that add depth. The pacing is relentless, carrying Odessa from one life-altering event to another as she grapples with duty, defiance, and a destiny she never chose. Her internal conflict is compelling, torn between the expectations placed upon her and the fierce independence that threatens to make her an outcast in her own kingdom. Romance simmers as Odessa struggles to reconcile her obligations with her growing attraction to the Guardian, whose past is as shadowed as his reputation. Mae is introduced as Odessa’s political foil, and although her presence drives much of Odessa’s internal drama—being constantly overshadowed or underestimated—she’s mostly seen through Odessa’s perspective. Her motivations, ambitions, and political maneuverings might have benefited from deeper exploration to give more nuance to the power dynamics. However, Perry’s evocative prose and intricate plotting make for a gripping tale. Readers looking for a slow-burn romantasy with rich political intrigue and a protagonist forced to create her own fate will find much to enjoy.
A thrilling, immersive tale that shows that some bargains demand more than just a crown.Pub Date: May 6, 2025
ISBN: 9781649378514
Page Count: 528
Publisher: Entangled: Red Tower Books
Review Posted Online: March 26, 2025
Kirkus Reviews Issue: May 15, 2025
Review Program: Kirkus Indie
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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