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SEVEN LITTLE MICE GO TO SCHOOL

Some students may jump on the train to act this out on the first day of school, but it lacks the humor that would give it...

This delicate Japanese import is less about assuaging school fears than about a tricky mother who gets her children to go to school against their many and varied protests. 

It is the day before school starts, and the septuplets ("like twins only there are seven") are all ready for school with new hats, bags and shoes. But Mother must face the fact that her children do not want to go to school. They’ll be too tired, the wind will be too cold, they’ll meet a snake and they won’t know anyone; these are among their many excuses. Cleverly, Mother plans for the morning by unwinding two balls of yarn, making parallel lines that stretch from home all the way to school. She is unruffled when the children ignore her announcement that it is time for school—she just calmly steps out, stands between the strings and announces that the school train is departing. This piques the kids’ interest, and they are out of the house in no time, following along. But will some of their fears come true? This episode is a rather disappointing departure from the septuplets’ previous adventure, in which they were the ones to solve the problem (Mice at the Beach, 1987). Iwamura’s precise, softly colored illustrations, while adorable, add little narrative heft to the slight story.

Some students may jump on the train to act this out on the first day of school, but it lacks the humor that would give it lasting appeal. (Picture book. 3-5)

Pub Date: July 1, 2011

ISBN: 978-0-7358-4012-6

Page Count: 44

Publisher: NorthSouth

Review Posted Online: May 20, 2011

Kirkus Reviews Issue: June 1, 2011

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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