No, Elmer isn’t like the other boy ducklings; they box and play baseball, he bakes cakes and puts on puppet shows. Yes, Elmer is a great big sissy. When his dad complains that Elmer has made him the laughingstock of the flock, his mom reassuringly tells him he is special and someday will amaze everyone. That day happens when the flock flies south for the winter. As the ducks take to the sky, hunters shoot at them, wounding Papa. Elmer, who weeks before had swum away from home when his dad declared him “no son of his,” witnesses the horrible scene and rescues Papa, nursing him through the winter in the hollow tree he has made his stylish home. When spring and the ducks return, they are amazed to see Papa and Elmer, now a hero. Elmer is endearing with Cole’s colorful and sprightly illustrations combining line and style of Disney and Paul Galdone. The cover sets the tone, with Elmer wearing heart-shaped sunglasses and skipping as others watch disapprovingly. Portraits of Ethel Merman and Barbie adorn his wall and he carries a flowered backpack. For those who don’t recognize the author’s name, the layered double meaning in the book’s message will be immaterial while the familiar story in a new guise will resonate with any kid who’s felt like an “underduck.” This heartwarming tale, based on Fierstein’s HBO animated special, is just ducky. (Picture book. 5-8)
Pub Date: May 1, 2002
ISBN: 0-689-83566-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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