A careful, moving investigation of existential matters told with a keen literary sense and memorable personal insights.
A wide-ranging book about the business of death.
Campbell has been fascinated by death since she watched her father, acclaimed comic book artist Eddie Campbell, create illustrations for Alan Moore’s From Hell. In her debut, Campbell works her way through the machinery of the death industry, interviewing morticians, embalmers, crime scene cleaners, executioners, and others. Clearly unafraid of getting her hands dirty, she chronicles how she held a brain during an autopsy and learned to dig a perfect hole from two cheery gravediggers. At a crematorium, she finds that “cancer is the last thing to burn.” This sounds bizarre and even a little ghoulish, but the author’s quest reveals a wealth of surprising grace and impressive courage. Most of the people she interviewed and shadowed are content in their roles, viewing their work as inherently important. “They are trying to do what they believe is right,” she writes. “They cannot reverse the situation and make people live again, but they can change how it is dealt with and give them dignity in death.” There are many touching moments and characters—e.g., a funeral home director who, in the early days of the AIDS epidemic, would secretly allow lovers and friends into the mortuary to say their goodbyes. Campbell’s encounter with a bereavement midwife, who specializes in stillbirths and deliveries of babies who will soon pass away, is strikingly poignant, as is the author’s admission that she will be haunted by the image of a dead child. Some of her interviewees understand what she means, noting that the atmosphere of death can leak into your soul. Nevertheless, the author concluded her journey with a greater understanding of life and death. She suggests that we should be willing to be more involved in the passage of loved ones, both for our own closure and as a recognition of the importance of life—sound advice in a remarkable book.
A careful, moving investigation of existential matters told with a keen literary sense and memorable personal insights.Pub Date: Aug. 16, 2022
ISBN: 978-1-250-28184-5
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 23, 2022
Kirkus Reviews Issue: June 15, 2022
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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