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THE TURNAWAY GIRLS

Hope is ever the thing with feathers, and feathers abound here.

In a land where music belongs solely to Masters, a 12-year-old girl dares to sing.

Cloistered with the other turnaway girls, Delphernia Undersea knows her place is to be quiet and invisible and her role to obediently transform the Masters’ music into gold—a process called “making shimmer.” But somewhere between knowing her place and actually keeping it, Delphernia not only cannot make shimmer, but she flouts Mother Nine’s warnings that the sea swallows girls with singer throats and sings secretly at night, molding her voice’s bright notes into fluttering golden birds. When a strange Master chooses to take her with him as part of the Festival of Bells, Delphernia is suddenly thrust into a dangerous world of music, royalty, unearthed secrets, and freedom in the form of a pale, defiant trans girl named Linna. Music and secrets, in fact, are in the very bones of this debut novel. Chewins’ unhurried, first-person narration by a brown-skinned, curly-haired protagonist deftly reveals a tapestry of magic, power, and rebellion thread by ethereal thread. Questions of stratified gender roles, corruption, and what happens when a society stops asking questions fit with (and even enhance) Chewins’ tale of music, magic, and self-discovery. An abrupt conclusion is the only piece that feels out of place, distracting precisely because readers will have been utterly mesmerized by the rest of the narrative.

Hope is ever the thing with feathers, and feathers abound here. (Fantasy. 10-14)

Pub Date: Oct. 9, 2018

ISBN: 978-0-7636-9792-1

Page Count: 272

Publisher: Candlewick

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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  • Kirkus Reviews'
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THE GIRL WHO DRANK THE MOON

Guaranteed to enchant, enthrall, and enmagick.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Newbery Medal Winner

An elderly witch, a magical girl, a brave carpenter, a wise monster, a tiny dragon, paper birds, and a madwoman converge to thwart a magician who feeds on sorrow.

Every year Elders of the Protectorate leave a baby in the forest, warning everyone an evil Witch demands this sacrifice. In reality, every year, a kind witch named Xan rescues the babies and find families for them. One year Xan saves a baby girl with a crescent birthmark who accidentally feeds on moonlight and becomes “enmagicked.” Magic babies can be tricky, so Xan adopts little Luna herself and lovingly raises her, with help from an ancient swamp monster and a chatty, wee dragon. Luna’s magical powers emerge as her 13th birthday approaches. Meanwhile, Luna’s deranged real mother enters the forest to find her daughter. Simultaneously, a young carpenter from the Protectorate enters the forest to kill the Witch and end the sacrifices. Xan also enters the forest to rescue the next sacrificed child, and Luna, the monster, and the dragon enter the forest to protect Xan. In the dramatic denouement, a volcano erupts, the real villain attempts to destroy all, and love prevails. Replete with traditional motifs, this nontraditional fairy tale boasts sinister and endearing characters, magical elements, strong storytelling, and unleashed forces. Luna has black eyes, curly, black hair, and “amber” skin.

Guaranteed to enchant, enthrall, and enmagick. (Fantasy. 10-14)

Pub Date: Aug. 9, 2016

ISBN: 978-1-61620-567-6

Page Count: 400

Publisher: Algonquin

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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