illustrated by Hazel Quintanilla ‧ RELEASE DATE: Aug. 7, 2018
For settings that would value the rhymes in separate packages, sturdy, serviceable efforts.
One of a quartet of board books of familiar nursery rhymes.
Cover images of a smiling, spotted cartoon cow jumping over a beaming moon stand out against a dark background. Liberal use of patterning, such as a subtle blue stripe in the night sky, gives the otherwise flat illustrations depth. A view of a cat sleeping in a window on the first, wordless page hints at what is to come, and sure enough it takes out its fiddle by the third double-page spread. Companion nighttime title Twinkle, Twinkle, Little Star uses a similar, appropriately dark palette. Also publishing simultaneously are The Itsy Bitsy Spider and Little Bo Peep, both lighter and brighter than the first two but with the same smiling animal faces and decorative patterns in collagelike pictures. Quintanilla avoids questions of race and gender by using animal characters throughout, making Bo Peep an Old English sheepdog instead of a shepherdess. All four texts are true to the original rhymes, without embellishments or added verses, making them a reasonable way to introduce toddlers to the traditional rhymes. However, the hefty sticker prices make them rather expensive additions to a toddler’s library, especially since many caregivers can probably recite them from memory. A more comprehensive book of nursery rhymes such as My Very First Mother Goose edited by Iona Opie and illustrated by Rosemary Wells (1996) would be a better investment.
For settings that would value the rhymes in separate packages, sturdy, serviceable efforts. (Board book. 6 mos.-2)Pub Date: Aug. 7, 2018
ISBN: 978-1-4867-1564-0
Page Count: 14
Publisher: Flowerpot Press
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Kate Messner ‧ RELEASE DATE: April 29, 2025
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism.
A summer spent summiting the Adirondacks allows a teenager to reckon with grief.
Thirteen-year-old Finn Connelly’s summer is off to a rocky start. In addition to several incomplete class assignments—including a poetry project about heroes—he’s facing vandalism charges after an angry outburst at the local cemetery. To avoid paying thousands in fines that his family can’t spare, he reluctantly agrees to the proffered alternative: climbing all 46 Adirondack peaks over 4,000 feet by Labor Day accompanied by Seymour, the enthusiastic dog who belonged to the woman whose headstone he damaged. As Finn attempts the hikes, he wrestles with what it means to be a hero, a term often used for his deceased father, a local hockey legend, New York City firefighter, 9/11 first responder, and paramedic who died on the front lines of the Covid-19 pandemic. This verse novel is engaging and easy to follow. It encompasses varied structures, like haiku, sonnet, and found poetry. Other ephemera, such as letters, recipes, and school progress reports, create visual breaks evocative of a commonplace book. The first-person narration vividly conveys a disgruntled teenager’s feelings, including moments of humor and contemplation. The novel wrestles with loss and legacy intertwined with weighty events, challenges, and themes—PTSD, alcoholism, toxic masculinity—and their resulting impact on Finn’s emotional well-being. The supporting characters are encouraging adult role models. Characters present white.
An adventurous work whose authentic voice celebrates the outdoors and everyday heroism. (author’s note) (Verse fiction. 10-14)Pub Date: April 29, 2025
ISBN: 9781547616398
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Hope Vestergaard ; illustrated by David Slonim ‧ RELEASE DATE: Aug. 27, 2013
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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