Next book

CHRISTINA STEAD

A BIOGRAPHY

An absorbing biography that will help Stead's fans place her fiction in the context of her life and may well attract new readers to her work. Christina Stead (190283), who was born and died in Australia (about which, writes Rowley, she was ``both nostalgic and patronising''), did her writing during her years in Europe and the US. Although she tapped real events and people for her fiction—and not just for her autobiographical novels, including the superb The Man Who Loved Children—she could be secretive in her private papers, identifying people by fictional names, writing in code, and ultimately destroying many documents. Despite this obstacle, Rowley (an Australian academic, currently a visiting scholar at Columbia University) offers a coherent and convincing portrait that reaches back into a youth in which Stead was overshadowed by her father, who first instilled in her a lifelong socialist orientation, insecurity about her appearance (he dubbed her ``Pig Face''), and a yearning to be adored by a man. When she arrived in London in 1928, Stead found just the man—William Blake (originally Blech), whom Rowley succinctly describes as a ``Marxist investments manager who seemed to know something about everything.'' Blake hired her to be his secretary, and Stead accompanied him to Paris, where their romance flourished—despite a wife who would not divorce Blake for 23 years. When the bank employing Blake collapsed, the pair fled to New York. Stead's writings earned only modest royalties even when favorably reviewed, and Blake could not find work, so they returned to Europe in a consistently difficult hunt for economic security that gave their lives a nomadic flavor. By 1949, Stead said to a friend, ``I have been a writer, quite unsuccessfully for twenty years,'' although a revival of interest in her work, which began in the mid-1960s, helped her return to Australia in 1969 as a famous author and ``Official Personage.'' A welcome study of an underrated author. (16 pages of photos, not seen)

Pub Date: Sept. 1, 1994

ISBN: 0-8050-3411-0

Page Count: 656

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview