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LAST RIGHTS

A feverish, demanding story that’s refreshingly new.

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Alberts (The Battery Man, 2013) envisions a bleak future in which the rich may legally buy the poor like cattle.

In 2068, life for average Americans has never been worse. Gun ownership is illegal, social safety nets are gone, and companies fire employees after a single offense. The desperate masses, in turn, can opt to sell themselves to facilities known as Arcologies. With large payments made to family members, individuals become the property of these towering structures, where, as 21st-century slaves, they exist and die at the pleasure of the superrich. Nothing is off-limits—sex, gladiatorial combat, organ donation, anything. Within the Shinu Arcology, near Chicago, lives a disparate group of enslaved people that includes Mitch, Lisa, Delano, Rick and Alex. Coping with their fates, they make heroic choices that help them succeed against the murderous Arcology. In an experiment, Mitch’s consciousness is transferred into the facility’s computer network. Elsewhere, Lisa is secretly sold as a fighter to a man named Malboq, from whom she learns that the Arcologies are run by the Shinjimori yakuza; he’d like her to help vanquish their global tyranny. But can this assortment of heroes foment revolution before the yakuza punish the rest of the world? Author Alberts brings tremendous energy, imagination and technological smarts to his sprawling narrative. He skilfully weaves multiple character threads into a robust, frightfully believable world. Readers will happily root for Alberts’ heroes since the villainy is so starkly presented; for example, one of the prison guards reminds Lisa, “You do what we want, when we want it, and you don’t ask questions. You’re not a person anymore. You’re a plaything; a pet.” In general, however, Alberts often uses descriptions with three words when one will suffice, so some passages take on a sheen that might exhaust readers, as when “she could no longer contain her own emotions in full, as a wellspring of tears began to fill behind the ineffective levees of her eyelids.” Nevertheless, this lurid, fascinating work will satisfy deep thinkers.

A feverish, demanding story that’s refreshingly new.

Pub Date: Oct. 26, 2013

ISBN: 978-1493575084

Page Count: 576

Publisher: CreateSpace

Review Posted Online: Feb. 27, 2014

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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STARTER VILLAIN

Fun while it lasts but not one of Scalzi’s stronger books.

Some people are born supervillains, and others have supervillainy thrust upon them.

Charlie Fitzer, a former business journalist–turned–substitute teacher, is broke and somewhat desperate. His circumstances take an unexpected and dangerous turn when his estranged uncle Jake dies, leaving his business—i.e., his trillion-dollar supervillain empire—to Charlie. Charlie doesn’t really have the skills or experience to manage the staff of the volcano lair, and matters don’t improve when he’s pressured to attend a high-level meeting with other supervillains, none of whom got along with his uncle. With the aid of his uncle’s No. 1, Mathilda Morrison, and his cat, Hera (who turns out to be an intelligent and typing-capable spy for his uncle’s organization), Charlie must sort out whom he can trust before he gets blackmailed, blown up, or both. This book serves as a follow-up of sorts to Scalzi’s The Kaiju Preservation Society (2022) in that both are riffs on genre film tropes. The current work is fluffier and sillier than the previous novel and, indeed, many of Scalzi’s other books, although there is the occasional jab about governments being in bed with unscrupulous corporate enterprises or the ways in which people can profit from human suffering. This is one of many available stories about a good-hearted Everyman thrust into fantastical circumstances, struggling to survive as a fish out of water, and, while well executed for its type, the plot doesn’t go anywhere that will surprise you.

Fun while it lasts but not one of Scalzi’s stronger books.

Pub Date: Sept. 19, 2023

ISBN: 9780765389220

Page Count: 272

Publisher: Tor

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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