Girls who love sparkles could do far worse than to spend time with these appealing performers.
The Stardust Girls return for a second circus-friendship tale.
The introductory title, Step into the Spotlight! (2014), centered on newcomer Marlo and her acceptance by circus girls Allie, Bella and Carly and their circle of friends. This title switches focus to Mexican-American Allie, short for Alejandra, a trapeze artist with dreams of television fame. These aspirations are stoked by the appearance of a TV producer and cameraman on the Stardust Circus train, there to shoot footage for a behind-the-scenes special. Allie’s machinations to draw their attention threaten her friendships and even her life, when she switches leotards in order to stand out among her blue-costumed family during a show. Once again, Alexander sets recognizable early-elementary dilemmas against an alluring backdrop for a story that feels both familiar and exotic at the same time. Allie’s delusions of greatness are completely on target for an 8-year-old; while readers will see that she has no chance at TV stardom, they will also empathize with her intense desires. Le Feyer’s grayscale illustrations (two to three to a double-page spread) break up the text for new chapter-book readers while also developing characters, working with the text to create a convincingly multiethnic circus community.
Girls who love sparkles could do far worse than to spend time with these appealing performers. (Fiction. 6-9)Pub Date: April 28, 2015
ISBN: 978-0-545-75755-3
Page Count: 96
Publisher: Branches/Scholastic
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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