An entertaining story of the curious arc that brought the cannabis industry out of the shadows.
The complicated story of how marijuana went from back alleys to a multibillion-dollar American industry.
In Geek Girl Rising (2017), former ABC news correspondent Cabot spotlighted successful professional women in the male-dominated tech industry. Here, she applies the same investigative reporting skills to the now-mushrooming cannabis industry, producing an intriguing, character-driven narrative about “a complicated and controversial topic.” Wisely, the author focuses on primary figures who have not only profited from this new enterprise, but changed the culture around the substance as well—e.g., Beth Stavola, a Jersey Shore mother who attained wealth in the Arizona medical marijuana business; Wanda James, the first Black entrepreneur to own a business license in the cannabis industry; Bruce Linton, the founder of the first marijuana company to trade publicly; and Mel MacDonald, “former U.S. Attorney appointed by President Ronald Reagan, fifth-generation Mormon, elder in the Church of Jesus Christ of Latter-day Saints (LDS), and unexpected supporter of legalizing medical marijuana.” Perhaps the most interesting figure is Jeff Danzer, a home cook who has sought to match the various flavors and aromas of cannabis to a wide variety of dishes as well as distilling the plant down its purest, most delectable essences. Danzer created cuisine so delightful that Kate Hudson served up his treats at her star-studded birthday party, and he eventually earned the nickname “Julia Child of Weed.” Another prominent figure is Ted Chung, a Wharton alum who leads Snoop Dogg’s cannabis investment strategy. On stage in 2019, Snoop noted, “I love the fact that I used to be a bad guy known for smoking weed like you used to read about me….Now it’s all love and it’s all peace and all understanding.” Indeed—and Cabot covers much of the relevant territory, from entrepreneurship to women’s health to social justice.
An entertaining story of the curious arc that brought the cannabis industry out of the shadows.Pub Date: Aug. 11, 2020
ISBN: 978-1-984826-24-4
Page Count: 320
Publisher: Currency
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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