Straightforward suspense served without guile or gimmick.
When the pop pop pop of shots sound off at college move-in day, Julia Bennett is the first to recognize the menace, intuitively dropping and rolling to protect her daughter, Cora. The aftermath brings: a grazed Cora; her murdered stepmother, Brie; long-suppressed memories of Julia’s own troubled past; and her increasing suspicion that what seems like just another random mass shooting in America is actually anything but.
Julia is a botany professor at Anderson Hughes, the San Diego college where Cora will be a freshman. Julia is also a connoisseur of carnivorous plants and is long divorced from Cora’s dad, Eric, who has a shiny new life with Brie. While Julia reluctantly confirms her doubts about the shooting (“If the sniper attack was random, why did it end so quickly? And why weren’t more people dead?” she asks herself), she’s also forced to reckon with the violence that ended her own youth: the shooting deaths of her parents when she was 14. As Julia unpacks the shooting, up in Los Angeles, contract killer Ren Petrovic is realizing she’s got some mysteries of her own to solve. She’s learned about the Anderson Hughes killings on the news and recognizes the work of her husband and partner, Nolan. Ren is a second-generation assassin, raised to take on only “ethical kills,” meaning the target—not the victim, if you please—deserves their fate. But Nolan no longer seems as committed to the mission and has started bending their rules. When it comes out that Brie is the daughter of Oliver Baird, a Malibu billionaire who happens to be Nolan’s best client, the dovetailing of the two women’s stories becomes inevitable. This is author Chavez’s third suspense novel, and she writes well: Before the attack, the packed crowd of students and parents “undulated like a snake digesting”; afterward, Eric “wore the past two days as thick stubble along his jaw and bruise-like smudges beneath his eyes.” The two protagonists nicely mirror each other, sharing a chaotic upbringing, a cerebral reserve paired with extreme capability, a love of mordant plants (Ren’s specialty is poison, and she grows her own). Though the book doesn’t quite stick the landing—for all its tragedy, Julia’s backstory is uninteresting, and Ren’s naïveté is hard to fathom—it’s well paced, often gripping, and builds with expert tension.
Straightforward suspense served without guile or gimmick.Pub Date: June 27, 2023
ISBN: 9780316531351
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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