A well-crafted tribute to a fascinating aviation pioneer.
Lang’s portrait commemorates the centennial of Ruth Law’s record-breaking flight from Chicago to New York.
Law, who performed daredevil tricks for spectators in her Curtiss Pusher biplane, set a higher goal: to best the new nonstop-flight record just set by Victor Carlstrom. Law petitioned Glenn Curtiss for his newest model, which Carlstrom had flown—a large one, with a 205-gallon fuel tank. Curtiss refused, doubting Law’s ability to handle the powerful plane and long flight. Instead, Ruth and her mechanics modified her little open-cockpit biplane, installing a metal wind guard and extra fuel tanks that increased capacity from 16 gallons to 53. (Oddly, Lang omits a significant detail: the plane’s lights were removed to lighten it.) Effectively employing short, staccato phrases, Lang creates a riveting, “you are there” narrative. Law correctly interprets her engine’s sounds, gauges, compass, map, and landmarks, prudently touching down twice before reaching New York City—but after besting Carlstrom’s record. Well-chosen quotes from Law further enliven the text (though two, inserted within the flight’s narrative, predate it). Colón’s rich compositions—in colored pencil and crayon on paper “etched” with swirling lines—use a primary palette of gold and charcoal brown, with layers of turquoise for water and sky. Colón correctly depicts Law’s lever controls; there’s a captioned photo highlighting the detail. Readers may feel the absence of a contextualizing timeline.
A well-crafted tribute to a fascinating aviation pioneer. (author’s note, photographs, bibliography, collections and exhibits, websites, source notes) (Picture book/biography. 5-8)Pub Date: March 8, 2016
ISBN: 978-1-62091-650-6
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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