A bold laird and plenty of action and passion make for a perfect Highland romance.
A Highland warrior wins a battle but loses his heart in this novel.
Cain Sinclair has been raised to lead and conquer. His father, a brutal man who was rendered more unstable by the death of his wife, raised Cain and his three brothers as the four horsemen of the apocalypse. And when his father dies in a heated battle with the Sutherland clan, Cain, the horseman of conquest, is more than ready to lead the Sinclairs and avenge the patriarch’s death. But this is easier said than done, as the chief of the Sutherlands and the person responsible for killing Cain’s father is the beautiful Arabella. In a game time decision driven by practicality and a good dose of lust, Cain decides that rather than kill Ella and beat the Sutherlands into submission, he’ll marry her instead to gain control of her clan. Predictably, Ella is not keen on her new role as a battle prize. Despite Cain’s efforts to woo her and her own feelings for him, she struggles to maintain her autonomy and win back her freedom, all while guarding a secret of her own. McCollum is a seasoned romance writer and knows her stuff. Does her latest novel break any new ground? No. Is it predictable? You bet. But it sure is an enjoyable read. Cain is the classic leading man; his gruff exterior is just a front for a protective and chivalrous heart. Ella is a familiar romantic heroine: a beautiful, smart, and spunky match for her main squeeze. Their love match is easy to root for, as the two protagonists have survived brutal and broken upbringings, leaving them with scars both inside and out. And while the plot moves right along, there are just the right number of steamy sex scenes to break things up a bit.
A bold laird and plenty of action and passion make for a perfect Highland romance. (glossary)Pub Date: April 28, 2020
ISBN: 978-1-64063-747-4
Page Count: 384
Publisher: Entangled: Amara
Review Posted Online: May 1, 2020
Kirkus Reviews Issue: June 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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